Cannes reeling again as WPP threatens to walk away from 2018 festival
Ad giant WPP has made its starkest warning yet that it may follow rival Publicis and turn its back on Cannes Lions.
Leaked emails revealed a decision to walk away from the event rests with talks between senior WPP executives will have with Cannes Lions parent company Ascential early next month.
WPP also spelled out that its agencies must withdraw all involvement with European awards show, Eurobest, also run by Ascential and which takes place during November in London.
The internal email chain, obtained by AdWeek, lay bare WPP’s contempt for Eurobest and reveals a “final decision” on Cannes rests on discussions with Ascential chief executive Duncan Painter.
It is unclear what concessions Cannes Lions needs to make to ensure the company’s continued participation although a more streamlined show is certainly among WPP’s demands.
“Final decisions on WPP and Cannes will await the result of a meeting Martin and I have with Duncan Painter in a couple of weeks time,” wrote WPP worldwide creative director John O’Keefe. “But already we are seeing moves in the right direction: categories are being reduced by 120, there will be a refocusing on creativity, and there is talk of cutting the overall length of the festival.”
The message reportedly went to WPP executives last Friday
WPP chief executive Martin Sorrell has previously spoken of the firm’s uneasy relationship with Cannes and questioned whether the festival truly reflects the creative qualities of the industry.
“The importance of recognising the outstanding creativity of our people and the work they do for clients is not in doubt,” Sorrell has said. The question is whether the festival does that in the most effective way, and we look forward to playing our part in finding the best solution.”
Its troubled relationship with Cannes, coupled with a desire to cut costs, already led to WPP halving the group’s participation at this year’s festival from the 350 staff members who attended last year.
Back in 2016, Sorrell also threatened to pull WPP out of the festival, citing growing costs and problems with the event’s size.
Should WPP’s demands not be met and it finally walks away from Cannes it would be a devastating blow for organisers.
It has been plagued with controversy in recent years over scam entries – WPP agencies themselves have entered work which some believe should have been disqualified – while next year’s event has already weakened by the absence of Publicis.
After this year’s Cannes, at which WPP was named the world’s most creative parent company for the seventh successive year, O’Keefe said the 2018 gathering would be “poorer for their (Publicis’s) absence”.
Cannes told AdWeek: “WPP is a valued Cannes Lions partner, and as with all our stakeholders we are discussing how we can deliver the best possible Festival experience that suits their requirements.
“These discussions are wide-ranging and cover many aspects of the event. We look forward to unveiling plans for the 2018 edition of Cannes Lions in November.”
Those plans will not include Publicis and whether WPP is part of them remains to be seen.
Imagine any country ‘negotiating’ with FIFA or the organizing committee of the Olympics behind the curtain for better terms to avoid a boycott.
ReplyHow fair would that be to the other competitors?
And how much cred will any win carry?
Cannes Lions jumped the shark in their naked cash grab, feeding on the ego and insecurities of networks.
Maybe this is a good thing.
Without a circus for scammers to parade their trite tricks, agencies will now wake up to the zero value these creative clowns bring to the business.
Let’s hope it’s not too late to restore a modicum of professional responsibility into the business.
Clowns like, err, HIM? And Euge? Or was it Ted you had in mind?
ReplyDon’t know how he does it, but Guan has managed to get WPP to pay him for touring around and collecting Cannes entries that rarely win. He’s also pretty good with dressing up Powerpoint decks on work that other people have done and presenting them with a metrosexually effete accent and shrug.
ReplyTed’s harmless. Nice old fashioned Malaysian style of copywriting with piquant puns and catchy alliterations. He also has a sweet Punjabi CD guy at Dentsu to assist with the catchy old fashioned slogans. Join-in Jitendra. Tally-ho Teddy.
ReplyI think it’s great that these scam jokers are kept contained in a holding area provided by the holding companies. No respectable company that runs itself like a business would see any value in their contributions. I mean, what kind of job is predicting what will win at an award show?
As opposed to predicting what will creatively sell in the marketplace.
ReplyHolding companies monopolized Cannes and the moment big flush tech and data giants step in, they stomp feet as its not fair.
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